An overview of the history of Moscow from the October Revolution to postwar reconstruction.

A group of young immigrants from Soviet Union live in a provincial Israeli town. In their new homeland the only person who follows them closely is the local policeman, family ties are wearing out day by day, and they do everything to mess their lives up, transforming their anxiety to get a new social standing in violence and robbery. Will they be able to build a soccer team and win the local championship? Will sport help them to recover self-esteem and prove to everyone that they are not doomed to live as criminals?

Filmed during Jonas Mekas’s visit to the Soviet Union in 1971, this short presents a personal record of Moscow. The footage was later incorporated into Mekas’s 2003 compilation film Travel Songs (1967–1981).

DC bureaucrat by day, drag queen by night, Muffy Blake Stephyns follows her dream of leading a group of vibrant performers on a crusade for the community.

旅居紐約的中國導演秦劍17日在聯合國網合集團(United Nations Commutech Group)的邀請下，放映他的新作「鬼都」。該片是半紀錄片形式的劇情片，由秦劍自編自導，以中國有名的鬼城酆都為背景，描繪岳飛的故事。 「鬼都」一片透過「忠、孝、仁、愛」四個鬼都的故事，詮釋中國的人間和生命意義。該片的融合劇情、紀錄、中國戲曲，豐富有趣。

Reima Elo ends up trying to commit suicide when he is abandoned by his wife Molla. He is also the village's laughing stock due to his communism. At a critical moment, a Lenin lookalike from Russia named Vladimir rescues him.

A vacationing American and a sultry Russian thief lead police and smugglers on a deadly chase through Moscow.

Frank accounts from eyewitnesses — a former police officer who worked with “night butterflies,” a Soviet prostitute, and a catering worker with over a hundred romantic stories behind her — are intertwined with analysis from experts such as historian Lev Lurye, sociologist Elena Zdravomyslova, and sex blogger Arina Kholina. They help the viewer better understand how the legacy of the Soviet era is reflected in the intimate lives of people today.

The 90s were a twilight time for the Moscow industrial: no one understood what would happen next, whether this scene would remain in the underground or occupy its niche in the mainstream. The heroes of Alyona Mikhailova's film are fearless experimenters with an impressive set of instruments, from scrap iron found in a landfill and homemade sound machines to analog synthesizers. They were united by the desire to sound, and to sound loud. The echo of this rumble is in the memories of musicians and eyewitnesses, gathered together for the first time on the screen.

Moscow. The year is 1925. Professor Gradov, his wife Mary, their children Nina, Nikita and Kirill, and long-term friends at home, relatives from Moscow and Tiflis, and those who have yet to enter this family and history, are all young and full of hope. Many hopes will come true, but the history of the country in the 30-50s left no chance for a cloudless life for anyone...